Cannom PM Cream Singles - Monster Palette

The Cannom PM  Collection Singles are based on the original William Tuttle cream/wax formulas. They are NOT alcohol-based colors.  These six colors from The Monster Palette are favorites of four-time Oscar winner, Greg Cannom, and he has used them to create every one of his movie monsters - From The Howling to Dracula and beyond.  The Cannom Monster Palette has been an essential part of Greg's makeup kit and it has helped to define his career.

The colors, Elvira,  Porcelain and Bordeaux where all used on The Howling.  They were also used on the Frankenstein monster in the film,  Van Helsing.  Bordeaux is also excellent for doing zombies, as well as old-age makeups.  

Two other amazingly versatile colors are Shadower and Shadower 2.  "The Shadower colors are two of my favorites,  They are both so subtle, yet incredibly versatile.  I used both for old-age makeups on Russell Crow in The Insider, and Gloria Steward in Titanic.  To the other extreme, I used them constantly on Dracula, Hannibal and Abraham Lincoln: Vampire Hunter.

Combined with any one of the HD Matting Sprays, the Cannom PM Colors will not fade or smudge, and they will stay in place for as long as you need. 

Read Greg's article printed in the Monsterpaloza trade guide, 2016 

Greg is a ten-time Nominee and a four-time Oscar winner for:       Vice (2019),  The Curious Case of Benjamin Button (2008), Mrs. Doubtfire (1993) and Bram Stoker’s   Dracula (1992). He is the first makeup artist to win Oscars two years in a row and he is also the first makeup artist in the history of the Academy (shared with Wesley Wofford) to win a Technical Achievement Award for the development of special modified silicone material for makeup applications used in motion pictures. A veteran of over 150 films, Greg Cannom has been responsible for creating some of the most memorable characters in modern film history. 

These large, circular pots are perfect for providing that extra bit of pigment needed to carry out and complete any makeup.  They each contain about 60% more dried pigment product than a single cell in a full size Illustrator Palette. The wide open mouth provides easy application with either a brush or a sponge, while the sleek packaging can fit in your pocket.  

 

Removal is easy with  PPI's Telesis Super Solv or Telesis Makeup Remover.